Engaging in spontaneous, pleasurable, and often thought-provoking conversations, Iris Hassid photographed Samar (a fresh graduate from film school) from Nazareth, her cousin Saja (studying psychology) also from Nazareth, Majdoleen (studying architecture) from Kafr Kanna, and Aya (studying social work and gender studies), from Kafr Qara. One can see bits of these conversations in the book.
“It was refreshing to hear Arabic being spoken in my neighborhood by a new generation of young and self-confident women, so different from how they are portrayed in the media. Why do we label people by their languages, names, accents, looks, and nationalities?” The presence of these young women in Ramat Aviv fascinated Iris Hassid, who lives right around the corner from Tel Aviv University, so it made sense to engage. “This project does not claim to faithfully document the lives of these women, nor does it pretend to show ‘true’ moments. It should be seen as a collaboration between them and me.
The outcome of the project is as refreshing, remarkable, and hopeful as it is unclear. “I gained their trust as we learned more about each other. Bit by bit I witnessed more intimate parts of their lives and I also met their families back home. This long and intimate collaboration made me question the place I live in, the historical narrative, the identity and symbols we inherited on both sides. It has revealed a complex and new reality. I often think about their futures and about the future of this country.”
Features and Reviews
L’Oeil de la Photographie
Focus magazine (January 2021)
In The Luupe, Women*-Made Photobooks of 2020
Zeke magazine (Spring 2021)
The Jerusalem Post
Design: Victor Levie, Amsterdam
Format: 24 x 29.5 cm
Hardcover with dust jacket
168 pp with approx. 90 photos in full color