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Vanessa Marsh

Schilt Publishing & Gallery and Restaurant Bloem op IJburg are pleased to invite you to the new show Everywhere All at Once by American photographer Vanessa Marsh in the top-class Italian restaurant Bloem op IJburg!

When: Saturday 14 March, 4 pm 
Where: Bloem op IJburg, IJburglaan 1289, Amsterdam
RSVP: lilia@schiltpublishing.com or info@bloemopijburg.nl

Everywhere All at Once

Sometimes there is a hazy, almost tropical light that falls over the Californian Bay Area. The moisture in the air falls on the landscape and makes it appear as a series of two-dimensional planes intricately layered together. When Vanessa Marsh sees this light, she imagines these individual planes of landscape, each moving freely along independent trajectories. In her imagination, the landscape becomes one of dislocated landmarks, geography and infrastructure, constantly changing. Within the series Everywhere All at Once Vanessa brings to form these imagined landscapes and combines them with intensely starlit skies, highlighting both a personal as well as a collective experience of the world. Her goal is to make images that are familiar and dreamlike, evocative of an almost unreachable memory.

David Pace and Stephen Wirtz

22 March – 10 May, 2020
Opening 22 March, 4 - 6 p.m.

Images in Transition project is a collaboration between photographer David Pace and gallerist/collector Stephen Wirtz.

David Pace and Stephen Wirtz manipulate and transform wirephotos transmitted during World War II. Beginning with an extensive collection of originals assembled by Wirtz over a period of many years, they scan the images, radically re-cropping and dramatically enlarging portions of the archival wirephotos. Their croppings and enlargements expose the artifacts of the wirephoto technology – the dots, lines, irregularities and retouchings from the war years. But the transformations introduced by Pace and Wirtz not only extend, but also reverse, the intentions of the wartime retouchers: Instead of obscuring the dots and lines to create a clearer image, Pace and Wirtz reveal and enhance the dots and lines, exposing the technological processes that produced the images.

Instead of retouching the images to create an illusion of reality, they make visible the manipulation of the images that were published as news. Instead of enhancing the content to support a narrative of just war and ethical victory, their dramatic enlargements transform wartime content into near-abstraction, creating a subtle counter narrative.

By exposing the artifacts of wirephoto technology and the actions of the human hands that retouched the images, their work highlights, transforms, and subverts the intention, the content, and the process of these wartime photographs. They raise questions about the technologies of image making and image transmission, the notion of truth in journalism, and the role of propaganda in news photography.

Stephen Wirtz is a former gallerist and a collector of photographs. With Connie Wirtz he co-founded the Stephen Wirtz Gallery in San Francisco, exhibiting national and international painting, sculpture, and photography for forty years. The Stephen Wirtz Gallery represented Michael Kenna, Todd Hido, Larry Sultan, Jim Goldberg, Chris McCaw, Richard Avedon, Michal Rovner, and Mario Giacomelli among many others. Prints from Wirtz’s personal collection of works by lesser known or unidentified photographers have been exhibited at the SF Museum of Modern Art and the San Jose Institute of Contemporary Art.

David Pace is a photographer, filmmaker, educator, and curator. He has taught photography at colleges and universities throughout the San Francisco Bay Area. His work has been exhibited in solo exhibitions at the Center for Photographic Art, Carmel, CA; Blue Sky Gallery, Portland, OR; The Griffin Museum, Winchester, MA; Gallery 1401, Philadelphia, PA; 511 Gallery, New York, NY, and Wirtz Art, Oakland, CA. Pace’s photographs are in the collections of the San Jose Museum of Art, the Portland Museum of Art, the Crocker Museum of Art, Sacramento, CA, and the de Saisset Museum, Santa Clara, CA. His work has been published in magazines, journals, and newspapers internationally.

Vivian Keulards

2 February - 8 March, 2020
Opening 2 February, 4 - 7 p.m.

Schilt Publishing & Gallery is pleased to announce To Hans, an exhibition by Vivian Keulards.

The book To Hans, is published by Schilt Publishing and available in English and Dutch edition. The book will be presented at the opening. 

Geert Broertjes

7 September - 1 December, 2019
Opening 7 September, 5 - 7 p.m.

Schilt Publishing & Gallery is pleased to announce One Year, an exhibition by Geert Broertjes.

In a very short space of time, Geert Broertjes lost the most important women in his life. His aunt, grandmother and mother passed away. He shared his grief with his girlfriend, who became a recurring theme in this series. But even this relationship ended, a couple of months after his mother passed. Broertjes photographed the process instinctively. It was only afterwards that he noticed the coherence of his work. It became a poetic story about love, loss and grief. The beautiful photographs, all shot analogue in raw black and white, reveal the dark feelings he experienced during this intense period in his life.

Geert Broertjes is a Dutch photographer who is fascinated by what motivates people, the choices they make in life, and why. Geert graduated from the Photo Academy in Amsterdam. Since then his work evolved into a poetic, melancholic and romantic version of reality. His work was exhibited at Triennale der Photographie, Unseen, Rencontres d'Arles. Broertjes works with analogue cameras and makes both high-end digital prints and superb silver gelatins. He currently lives and works in Amsterdam.

The book One Year, was published by Schilt Publishing in August 2019. The book will be available at the opening and will be presented at Unseen, Amsterdam in September 2019.

Carla Kogelman

I am Waldviertel
12 January  – 15 April 2019
Opening Saturday, 12  January 16:00-19:00 

In 2012, the now multi-award winner photographer Carla Kogelman was commissioned by Szene Bunte Wähne, a youth theatre festival in Austria, to make a documentary about the rural Waldviertel region. She ended up in Merkenbrechts, a small bio village of 170 inhabitants, where she met Hannah and Alena, two sisters who spend much of their time together in a carefree life of swimming, playing outdoors, engrossed in games around the house. Kogelman decides to follow the family and returns regularly. Her original, superb and right on the skin black & white photography of the children and everyone and everything surrounding them in their daily lives resulted in many prestigious national and international awards like the 2018 World Press Photo 1st prize long-term project, the 2017 Alfred Fried Photography Award (winner), the 2014 World Press Photo 1st Prize People – Observed Portraits Stories and the 2014 Cortona On The Move Happiness Award.

In the spring of 2017, Schilt Publishing started discussing a book publication with Carla Kogelman. This has resulted in the book I Am Waldviertel, printed in October 2018 and released about a month later.

 

 

Kirk Crippens & Gretchen LeMaistre

Kirk Crippens & Gretchen LeMaistre