A special edition with a print in a slipcase
Michelle Sank’s practice is concerned with the notion of encountering,
collecting, and re-telling. She is interested in creating sociological
landscapes, interplays of human form and location that are
significant in their visual, sociological, cultural and psychological
nuances.
The imagery in The Submerged was produced within Mid Wales in
Abersytwyth and the surrounds, a coastal and hilly area existing at the
end of the railway line. Sank became intrigued by the way both
structures and people interacted with the urban and natural make-up
of this environment. She was drawn towards a sense of grittiness and
resolution within the geological and architectural fabric of the place,
something so often mimicked in the light, colour, dramatic skies and
the human performance within.